
| Founding Members | ||||
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| Anna Hagan An acting career which spans over 30 years, Anna has performed in Los Angeles, New York, and at the Stratford and Shaw Festivals. Her directing credits include radio drama productions for CBC, assistant director to Robin Phillips with his Young Company @ Stratford, Waiting for Godot and The Merry Wives of Windsor for Arena Theatre and for the Bardathon at Christ Church Cathedral, Anna directed Henry 1V part one, and Henry V, and acted in Julius Caesar, and The Winter's Tale. In 2001 she appeared at the World Stage Festival in Robin Phillip's acclaimed production of The Mill on the Floss. A strong advocate for children's theatre, Anna has acted in Little Women, and Anne for Carousel Theatre. Her film and T.V. credits are numerous and she can soon be seen in the upcoming film Judicial Indiscretion. Anna is a co-artistic director of Western Gold Theatre Company, and also a co-founder of Westend Productions. |
Anthony F. Ingram A native of Vancouver, Anthony is a graduate of both UBC and Studio 58, and has performed throughout Canada, including a season with the Stratford Shakespeare Festival, Grand Theatre - London, Ontario (She Stoops to Conquer), Caravan Farm Theatre (Macbeth), Rosebud Opera House, Alberta (The Foreigner), the national tour of Judith Marcuse's ICE: beyond cool, and recently toured across Canada and to San Jose, California with Electric Company's Brilliant!. Recent local credits: Madduck Equity Co-op?s Titus Andronicus, The Elephant Man (Five Bob Equity Co-op), Cloud 9 (Pak-N-Go Equity Co-op) The Front Page (Ensemble Theatre Company), Silence (Shameless Hussies), Halo and The Lion, The Witch and the Wardrobe (Pacific Theatre). His directing credits include The Best Restaurant in the World Ever (Thousand Year Itch), Danny and the Deep Blue Sea (Vancouver Fringe), The Sin Eater (Tumnus Tales Prods.), Private Eyes (Rorschach Equity Co-op), Beggars at the Waters of Immortality: Three One-Act Plays by W. B. Yeats (Dumb Prophet Equity Co-op) and the Canadian Premiere of Jennifer M. Hendrix's The Hungry Season (Pacific Theatre). Anthony is proud to serve on the board of PAL Vancouver. |
Bert Steinmanis Bert is thrilled to be joining together with such an eclectic group of people to present great and important theatre. Theatre acting credits: Cloud 9 (Pak-N-Go Co-op), 'Tis Pity She's A Whore and Portia, My Love (Ensemble Theatre Company), The Tempest (Mad Duck Theatre), Cyrano de Bergerac and The Resistible Rise Of Arturo Ui (Mentors Project), Kreskinned (Theatre Tart), and two and a half years at the bankrupted STORYEUM. Directing credits: The Seagull, Translations and Of Mice And Men (Mice and Mentors Co-op), CUT! (Slasher Co-op), The Rise And Rise Of Daniel Rocket (The ODD Group), The Apple Of Contentment and Fear (Cabbagetown Theatre Company). Film/Television: Jake 2.0 and Flush. |
Valerie Sing Turner Valerie has been a professional actor and writer for more than a decade. Though she didn?t realize it at the time, she was a pioneer in colour- and gender-blind casting when she produced, adapted and played the prince (plus an evil stepsister) in a basement production of Cinderella for her mom when she was six. A selection of her more recent theatrical credits include Quarry (Sunshine Theatre), Cloud 9 (Pak-N-Go Equity Co-op), Titus Andronicus (Shakespeare in the Rough), The Concubine?s Children (TheatreOne), Beggars at the Waters of Immortality (Dumb Prophet Equity Co-op), Fugitives (Western Theatre Conspiracy), and The Malaysia Hotel, which she also produced through her company, Visceral Visions. Valerie also co-produced the Dora-nominated premiere of The Yoko Ono Project (Loud Mouth Asian Babes) at Theatre Passe Muraille. Recent TV credits include The 4400, Alice I Think and Da Vinci?s City Hall. Valerie also does voices for animation and CBC radio dramas. An early draft of her first play, Confessions of the Other Woman, was a winner in the 2005 Solo Collective Emerging Writers Competition, and was voted the CBC Listeners? Choice from among the five pieces that were showcased. In November 2006, she had a perfectly lovely time as assistant director for the Studio 58 production of A Perfect Wedding. Her column, Scene Onstage, appears regularly in Ricepaper magazine, for which she is theatre editor, and she was recently re-elected for a second term as a member of Equity's BC/Yukon advisory. |
T Weir T Weir's acting credits include Uncle Vanya (the Chekhov Project), Cloud 9 (Pak-N-Go), Tall Tales & Wacky Whiskers (Hooked on Books); Gut Girls (Horn'd Moon), and floating around Maritime Point in Lifeboat (Construction Ink). During her tenure as Co-Artistic Director for Theatre Tart, she produced and appeared in Tit for Tat, Transit of Venus, and Kreskinned, as well as writing the one act play, To Wit to Wed to Woo. She was assistant director on The Black Tower for the Walking Fish Festival.
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| Associate Members | ||||
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Terence Kelly |
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Teryl Rothery |
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| contact: tempus@tempustheatre.com | ||||